Wire report
The Social Reckoning isn’t as angry or as potent as a Facebook drama should be
Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye In retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin may well have converted Mark Zuckerberg into terms he could better understand – namely, a motormouthed wiseass who deep down wants to impress a smart, serious-minded girl – he and Fincher also made one of the first internet-centric movies to treat online life as a natural extension of IRL dynamics, rather than the otherworldly tech portal seen in so many 90s internet movies. Granted, that’s the w
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Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye In retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin may well have converted Mark Zuckerberg into terms he could better understand – namely, a motormouthed wiseass who deep down wants to impress a smart, serious-minded girl – he and Fincher also made one of the first internet-centric movies to treat online life as a natural extension of IRL dynamics, rather than the otherworldly tech portal seen in so many 90s internet movies. Granted, that’s the w
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According to The Guardian’s source item, The Social Reckoning isn’t as angry or as potent as a Facebook drama should be, Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye In retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin may well have converted Mark Zuckerberg into terms he could better understand – namely, a motormouthed wiseass who deep down wants to impress a smart, serious-minded girl – he and Fincher also made one of the first internet-centric movies to treat online life as a natural extension of IRL dynamics, rather than the otherworldly tech portal seen in so many 90s internet movies. Granted, that’s the w
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Primary source: The Social Reckoning isn’t as angry or as potent as a Facebook drama should be via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- The Social Reckoning isn’t as angry or as potent as a Facebook drama should beThe Guardian - 2026-10-13T09:00:20+00:00
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