Wire report
Rachel Kneebone review – who knew porcelain could be so edgy, nerve-wracking and marvellous?
Wallace Collection, London The British sculptor’s delicate, intimate and ready-to-pop creations feel right at home among Hertford House’s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps be a soft landing just in case? Emerging from a tangled clump of ribbons and roses are a couple of bone-white bubbles, ready to pop. This is art that quite literally hangs in the balance; a sense of peril is what makes it so marvellous. Born in 1973, the British sculptor is the latest contemporary artist to be invited to show her work at the Wallace Collection . Following in the footsteps of Damien Hirst, Flora Yukhnovich and Grayson Perry, Kneebone has positioned nine milky sculptures made between 2017 and 20
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Wallace Collection, London The British sculptor’s delicate, intimate and ready-to-pop creations feel right at home among Hertford House’s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps be a soft landing just in case? Emerging from a tangled clump of ribbons and roses are a couple of bone-white bubbles, ready to pop. This is art that quite literally hangs in the balance; a sense of peril is what makes it so marvellous. Born in 1973, the British sculptor is the latest contemporary artist to be invited to show her work at the Wallace Collection . Following in the footsteps of Damien Hirst, Flora Yukhnovich and Grayson Perry, Kneebone has positioned nine milky sculptures made between 2017 and 20
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According to The Guardian’s source item, Rachel Kneebone review – who knew porcelain could be so edgy, nerve-wracking and marvellous?, Wallace Collection, London The British sculptor’s delicate, intimate and ready-to-pop creations feel right at home among Hertford House’s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps be a soft landing just in case? Emerging from a tangled clump of ribbons and roses are a couple of bone-white bubbles, ready to pop. This is art that quite literally hangs in the balance; a sense of peril is what makes it so marvellous. Born in 1973, the British sculptor is the latest contemporary artist to be invited to show her work at the Wallace Collection . Following in the footsteps of Damien Hirst, Flora Yukhnovich and Grayson Perry, Kneebone has positioned nine milky sculptures made between 2017 and 20
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Primary source: Rachel Kneebone review – who knew porcelain could be so edgy, nerve-wracking and marvellous? via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Rachel Kneebone review – who knew porcelain could be so edgy, nerve-wracking and marvellous?The Guardian - 2026-09-24T15:01:02+00:00
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