Wire report
Our Bodies Have Been Bridges review – riveting portraits and the story of the first woman on Earth
Autograph, London The three-person headline show looking at South American feminism is displayed alongside Charan Singh: Your Tongue in My Mouth, an intimate study of Indian trans communities In the 1990s, the late Chicana artist Laura Aguilar was living with depression. A friend took her on a road trip to New Mexico, where Aguilar made some nude self-portraits in the mystical landscapes. Those photographs evolved into a pivotal series shot in desert environments across the American south-west, Aguilar’s notable 1996 Nature Self-Portrait – considered an early work of intersectional feminist art, before the word had entered academic discourse. London gallery Autograph first worked on an exhibition of Aguilar’s in 1997, the year after she made Nature Self-Portrait, so this is something of a homecoming, a generation on. Aguilar’s contours, folds, and crevices sometimes disappear into the ba
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Autograph, London The three-person headline show looking at South American feminism is displayed alongside Charan Singh: Your Tongue in My Mouth, an intimate study of Indian trans communities In the 1990s, the late Chicana artist Laura Aguilar was living with depression. A friend took her on a road trip to New Mexico, where Aguilar made some nude self-portraits in the mystical landscapes. Those photographs evolved into a pivotal series shot in desert environments across the American south-west, Aguilar’s notable 1996 Nature Self-Portrait – considered an early work of intersectional feminist art, before the word had entered academic discourse. London gallery Autograph first worked on an exhibition of Aguilar’s in 1997, the year after she made Nature Self-Portrait, so this is something of a homecoming, a generation on. Aguilar’s contours, folds, and crevices sometimes disappear into the ba
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According to The Guardian’s source item, Our Bodies Have Been Bridges review – riveting portraits and the story of the first woman on Earth, Autograph, London The three-person headline show looking at South American feminism is displayed alongside Charan Singh: Your Tongue in My Mouth, an intimate study of Indian trans communities In the 1990s, the late Chicana artist Laura Aguilar was living with depression. A friend took her on a road trip to New Mexico, where Aguilar made some nude self-portraits in the mystical landscapes. Those photographs evolved into a pivotal series shot in desert environments across the American south-west, Aguilar’s notable 1996 Nature Self-Portrait – considered an early work of intersectional feminist art, before the word had entered academic discourse. London gallery Autograph first worked on an exhibition of Aguilar’s in 1997, the year after she made Nature Self-Portrait, so this is something of a homecoming, a generation on. Aguilar’s contours, folds, and crevices sometimes disappear into the ba
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Primary source: Our Bodies Have Been Bridges review – riveting portraits and the story of the first woman on Earth via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Our Bodies Have Been Bridges review – riveting portraits and the story of the first woman on EarthThe Guardian - 2026-10-13T11:12:58+00:00
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