Wire report
Nicole Eisenman review – ICE-like goons clash with sublime stargazing as America’s magical magpie returns
Sadie Coles HQ, London Abstract, humorous yet deeply unsettling, the painter’s dazzling exhibition sees her caught between distant skies and the ugly reality on the ground Nicole Eisenman’s 2023 exhibition at the Whitechapel Gallery took its title from Hillary Clinton’s account of the 2016 US presidential election: “What happened.” With its absurdist riffs on contemporary American life, the show confirmed that Eisenman is among the most important artists of her time and that “what happened” was a disaster. So her return to London might be thought of as a sequel, with the working title: “So what do we do now?” Eisenman is justly celebrated for her rambunctious, magpie and irreverent subversions of the conventional histories of art and society. A painter who has lately (and successfully) turned to sculpture, her work often places people in situations – ranging from crowded bars to town squ
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Sadie Coles HQ, London Abstract, humorous yet deeply unsettling, the painter’s dazzling exhibition sees her caught between distant skies and the ugly reality on the ground Nicole Eisenman’s 2023 exhibition at the Whitechapel Gallery took its title from Hillary Clinton’s account of the 2016 US presidential election: “What happened.” With its absurdist riffs on contemporary American life, the show confirmed that Eisenman is among the most important artists of her time and that “what happened” was a disaster. So her return to London might be thought of as a sequel, with the working title: “So what do we do now?” Eisenman is justly celebrated for her rambunctious, magpie and irreverent subversions of the conventional histories of art and society. A painter who has lately (and successfully) turned to sculpture, her work often places people in situations – ranging from crowded bars to town squ
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What happened
According to The Guardian’s source item, Nicole Eisenman review – ICE-like goons clash with sublime stargazing as America’s magical magpie returns, Sadie Coles HQ, London Abstract, humorous yet deeply unsettling, the painter’s dazzling exhibition sees her caught between distant skies and the ugly reality on the ground Nicole Eisenman’s 2023 exhibition at the Whitechapel Gallery took its title from Hillary Clinton’s account of the 2016 US presidential election: “What happened.” With its absurdist riffs on contemporary American life, the show confirmed that Eisenman is among the most important artists of her time and that “what happened” was a disaster. So her return to London might be thought of as a sequel, with the working title: “So what do we do now?” Eisenman is justly celebrated for her rambunctious, magpie and irreverent subversions of the conventional histories of art and society. A painter who has lately (and successfully) turned to sculpture, her work often places people in situations – ranging from crowded bars to town squ
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The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-24T14:14:24+00:00.
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Primary source: Nicole Eisenman review – ICE-like goons clash with sublime stargazing as America’s magical magpie returns via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Nicole Eisenman review – ICE-like goons clash with sublime stargazing as America’s magical magpie returnsThe Guardian - 2026-09-24T14:14:24+00:00
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