Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

What happened

According to The Guardian’s source item, Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war, Cannes film festival: The great Russian director’s first film for almost a decade is tremendous drama following the ill-deeds of a mini-oligarch who comes up with a toxic new way to feed Russia’s war machine Life during wartime is the theme of Andrey Zvyagintsev ’s film. It is set in provincial Russia, a portrait of a nation paralysed with disillusionment and fear, slowly coming to terms with, or retreating into collective denial about, the terrible mistake in Ukraine. It’s an inspired variation on Claude Chabrol’s La Femme Infidèle from 1969 , mixed with Gogol’s Dead Souls and the 14 sacrifices required for the Minotaur in Greek myth. It is also a noir thriller of infidelity and vengeful murder, lent a new meaning by the context of deadly cynicism and political bad faith, a world in which powerful people, gloomy with self-hate, have made covering up misdeeds their way of life. There is

Context

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Source

Primary source: Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.