Wire report
McQueen comes home to happy, dark place at London fashion week
Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped heels that looked like electronic monitoring tags, and a chain mail dress of tiny silver skulls. Continue reading...
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Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped heels that looked like electronic monitoring tags, and a chain mail dress of tiny silver skulls. Continue reading...
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What happened
According to The Guardian’s source item, McQueen comes home to happy, dark place at London fashion week, Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped heels that looked like electronic monitoring tags, and a chain mail dress of tiny silver skulls. Continue reading…
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-21T09:40:59+00:00.
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Source
Primary source: McQueen comes home to happy, dark place at London fashion week via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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Source links
- McQueen comes home to happy, dark place at London fashion weekThe Guardian - 2026-09-21T09:40:59+00:00
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