Wire report
Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questions
(Dead Oceans) With help from Aaron Dessner, Bon Iver and Lucinda Williams, the Americana artist shares his uncertainties around his roots and relationships in unhurried, subtly melancholic songs The first track on Kevin Morby’s eighth album is called Badlands. It refers to the unforgiving terrain of the American midwest and also comes freighted with pop cultural references: the title of Terrence Malick’s bleak 1973 neo-noir movie loosely based on the spree killings of Charles Starkweather; the ferocious track from Bruce Springsteen’s 1978 album Darkness on the Edge of Town that depicts the lot of a frustrated blue-collar worker “smashing in my guts” in a nowhere town. Unforgiving terrain, violence fuelled by nihilistic rage, frustration: the listener is thus primed for a song on which Morby, who was raised between the farmland of Missouri and the suburbs of Kansas City, paints a stark pi
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(Dead Oceans) With help from Aaron Dessner, Bon Iver and Lucinda Williams, the Americana artist shares his uncertainties around his roots and relationships in unhurried, subtly melancholic songs The first track on Kevin Morby’s eighth album is called Badlands. It refers to the unforgiving terrain of the American midwest and also comes freighted with pop cultural references: the title of Terrence Malick’s bleak 1973 neo-noir movie loosely based on the spree killings of Charles Starkweather; the ferocious track from Bruce Springsteen’s 1978 album Darkness on the Edge of Town that depicts the lot of a frustrated blue-collar worker “smashing in my guts” in a nowhere town. Unforgiving terrain, violence fuelled by nihilistic rage, frustration: the listener is thus primed for a song on which Morby, who was raised between the farmland of Missouri and the suburbs of Kansas City, paints a stark pi
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According to The Guardian’s linked item, Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questions, (Dead Oceans) With help from Aaron Dessner, Bon Iver and Lucinda Williams, the Americana artist shares his uncertainties around his roots and relationships in unhurried, subtly melancholic songs The first track on Kevin Morby’s eighth album is called Badlands. It refers to the unforgiving terrain of the American midwest and also comes freighted with pop cultural references: the title of Terrence Malick’s bleak 1973 neo-noir movie loosely based on the spree killings of Charles Starkweather; the ferocious track from Bruce Springsteen’s 1978 album Darkness on the Edge of Town that depicts the lot of a frustrated blue-collar worker “smashing in my guts” in a nowhere town. Unforgiving terrain, violence fuelled by nihilistic rage, frustration: the listener is thus primed for a song on which Morby, who was raised between the farmland of Missouri and the suburbs of Kansas City, paints a stark pi
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-14T11:00:26+00:00.
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Primary source: Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questions via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questionsThe Guardian - 2026-05-14T11:00:26+00:00
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