Wire report
‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice
At the German pavilion, the artist has re-created the housing estate where she grew up to tell the forgotten history of migrants, including her parents, hired under a socialist agreement between East Germany and Vietnam – then abandoned An air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III. Yet in one of the second-floor rooms of Berlin’s largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. “Here was the single bed I shared with my mother for
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At the German pavilion, the artist has re-created the housing estate where she grew up to tell the forgotten history of migrants, including her parents, hired under a socialist agreement between East Germany and Vietnam – then abandoned An air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III. Yet in one of the second-floor rooms of Berlin’s largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. “Here was the single bed I shared with my mother for
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According to The Guardian’s linked item, ‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice, At the German pavilion, the artist has re-created the housing estate where she grew up to tell the forgotten history of migrants, including her parents, hired under a socialist agreement between East Germany and Vietnam – then abandoned An air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III. Yet in one of the second-floor rooms of Berlin’s largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. “Here was the single bed I shared with my mother for
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The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-12T09:36:55+00:00.
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Primary source: ‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- ‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in VeniceThe Guardian - 2026-05-12T09:36:55+00:00
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