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Hulda Guzmán review – lizards and ghosts gather for an art freakout in the rainforest

Turner Contemporary, Margate The young Dominican painter’s dizzyingly beautiful jungle scenes will transport you to the tropics – and remind you of the wonders of the natural world Deep in the Dominican rainforest, high up on a mountain, miles from anywhere, Hulda Guzmán stares at an endless expanse of jungle. From her modernist wooden studio, built by her architect father Eddie, she looks out into the vast greenness of her world, the deep blues of the ocean in the distance, the warm oranges and yellows of the sky, and she feels peace. She feels a sense of oneness with nature. It’s a kind of spiritual positivity that’s a little hard to empathise with when you’re under the leaden skies of the UK, but if you lose yourself in Guzmán’s psychedelic Caribbean landscape painting you can almost be transported to the tropics. The young Dominican artist’s paintings here in her first institutional

Hulda Guzmán review – lizards and ghosts gather for an art freakout in the rainforest
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What happened

According to The Guardian’s source item, Hulda Guzmán review – lizards and ghosts gather for an art freakout in the rainforest, Turner Contemporary, Margate The young Dominican painter’s dizzyingly beautiful jungle scenes will transport you to the tropics – and remind you of the wonders of the natural world Deep in the Dominican rainforest, high up on a mountain, miles from anywhere, Hulda Guzmán stares at an endless expanse of jungle. From her modernist wooden studio, built by her architect father Eddie, she looks out into the vast greenness of her world, the deep blues of the ocean in the distance, the warm oranges and yellows of the sky, and she feels peace. She feels a sense of oneness with nature. It’s a kind of spiritual positivity that’s a little hard to empathise with when you’re under the leaden skies of the UK, but if you lose yourself in Guzmán’s psychedelic Caribbean landscape painting you can almost be transported to the tropics. The young Dominican artist’s paintings here in her first institutional

Context

The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-05-21T14:02:20+00:00.

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Primary source: Hulda Guzmán review – lizards and ghosts gather for an art freakout in the rainforest via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.

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