Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness

What happened

According to The Guardian’s source item, Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness, Cannes film festival: Refn’s film eludes definition as it moves through time and space, from doomy reality to strange dream worlds populated by quasi-Lynchian characters The title’s first word should probably be “His”. Nicolas Winding Refn has returned to Cannes with a bizarre new fantasia moodscape, a midnight movie of fear and dreamy disquiet, meaning … what, exactly? The setting of the film – a twist on the 60s pulp shocker of the same title by Norman J Warren – morphs and shapeshifts from place to place, with the antilogical procedure of a dream, from a supposedly real outer world to the inner space of hallucination and memory. It starts in a giant, empty hotel (whose colossal Stygian corridors are not unlike those in Refn’s Only God Forgives ) in the middle of a digitally rendered dystopian city, wreathed in the kind of mist that tends to conceal a serial killer, and people here are

Context

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Source

Primary source: Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.