Wire report
Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
Christopher Nolan’s The Odyssey might be the one to bear but a crop of competitors is starting to materialise Reporting from fall film festivals used to be a more streamlined process – what’s good, what’s bad, what’s being sold, what has Oscars chances – but with each year, the season arrives with larger, more existential questions. The 2025 run, from Venice to Telluride to Toronto, was notably underwhelming and took place months after Sinners went from box-office hit to legitimate contender and at the same time as One Battle After Another skipped festivals and went on to win best picture . The pipeline that had once birthed winners such as Birdman, Spotlight, 12 Years a Slave and The King’s Speech had no longer played as big of a part with Covid-affected Nomadland being the last fall festival film to win the top prize. Even without an awards hat on, there has been a more general lack of
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Christopher Nolan’s The Odyssey might be the one to bear but a crop of competitors is starting to materialise Reporting from fall film festivals used to be a more streamlined process – what’s good, what’s bad, what’s being sold, what has Oscars chances – but with each year, the season arrives with larger, more existential questions. The 2025 run, from Venice to Telluride to Toronto, was notably underwhelming and took place months after Sinners went from box-office hit to legitimate contender and at the same time as One Battle After Another skipped festivals and went on to win best picture . The pipeline that had once birthed winners such as Birdman, Spotlight, 12 Years a Slave and The King’s Speech had no longer played as big of a part with Covid-affected Nomadland being the last fall festival film to win the top prize. Even without an awards hat on, there has been a more general lack of
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What happened
According to The Guardian’s source item, Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?, Christopher Nolan’s The Odyssey might be the one to bear but a crop of competitors is starting to materialise Reporting from fall film festivals used to be a more streamlined process – what’s good, what’s bad, what’s being sold, what has Oscars chances – but with each year, the season arrives with larger, more existential questions. The 2025 run, from Venice to Telluride to Toronto, was notably underwhelming and took place months after Sinners went from box-office hit to legitimate contender and at the same time as One Battle After Another skipped festivals and went on to win best picture . The pipeline that had once birthed winners such as Birdman, Spotlight, 12 Years a Slave and The King’s Speech had no longer played as big of a part with Covid-affected Nomadland being the last fall festival film to win the top prize. Even without an awards hat on, there has been a more general lack of
Context
The development sits in VINI’s Culture file for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-09-24T09:00:14+00:00.
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Source
Primary source: Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand? via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?The Guardian - 2026-09-24T09:00:14+00:00
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