Wire report
Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades
Director Joko Anwar uses horror for social commentary as he skewers corruption and hypocrisy with likable silliness and raucous energy Given the 2020s horror boom, Indonesia’s prolific Joko Anwar – who has worked more often in that genre than any other – should be better known. Using horror for social commentary, as Anwar has done often in the past, this prison-slasher-satire features the kind of scabrous broadsides against injustice you see in Bong Joon-ho’s films, and Park Chan-wook’s recent No Other Choice . But in skewering the corruption and hypocrisy of the director’s native country, it has its own likable silliness and raucous energy. As the inmates keep saying: this is Indonesia, not Norway! Fitted up for the murder of his boss, who is found gutted and spreadeagled on a ceiling fan, timid investigative journalist Dimas (Endy Arfian) winds up in the slammer. But murder, immediatel
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Director Joko Anwar uses horror for social commentary as he skewers corruption and hypocrisy with likable silliness and raucous energy Given the 2020s horror boom, Indonesia’s prolific Joko Anwar – who has worked more often in that genre than any other – should be better known. Using horror for social commentary, as Anwar has done often in the past, this prison-slasher-satire features the kind of scabrous broadsides against injustice you see in Bong Joon-ho’s films, and Park Chan-wook’s recent No Other Choice . But in skewering the corruption and hypocrisy of the director’s native country, it has its own likable silliness and raucous energy. As the inmates keep saying: this is Indonesia, not Norway! Fitted up for the murder of his boss, who is found gutted and spreadeagled on a ceiling fan, timid investigative journalist Dimas (Endy Arfian) winds up in the slammer. But murder, immediatel
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According to The Guardian’s source item, Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades, Director Joko Anwar uses horror for social commentary as he skewers corruption and hypocrisy with likable silliness and raucous energy Given the 2020s horror boom, Indonesia’s prolific Joko Anwar – who has worked more often in that genre than any other – should be better known. Using horror for social commentary, as Anwar has done often in the past, this prison-slasher-satire features the kind of scabrous broadsides against injustice you see in Bong Joon-ho’s films, and Park Chan-wook’s recent No Other Choice . But in skewering the corruption and hypocrisy of the director’s native country, it has its own likable silliness and raucous energy. As the inmates keep saying: this is Indonesia, not Norway! Fitted up for the murder of his boss, who is found gutted and spreadeagled on a ceiling fan, timid investigative journalist Dimas (Endy Arfian) winds up in the slammer. But murder, immediatel
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Primary source: Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decadesThe Guardian - 2026-10-19T08:00:22+00:00
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