Wire report
Comédie Française review – pre-show bedlam plays theatrical chaos for laughs
French farce set in the tumultuous three hours prior to the opening night performance of Macbeth features comic-timing perfection from cast One of Matt Groening’s Life In Hell comic strips from the 1980s, entitled How to Be a Clever Film Critic , sets out cinema’s greatest paradox: “The French are funny. Sex is funny. And comedies are funny. Yet no French sex comedies are funny.” Well, this film from Bertrand Usclat and Martin Darondeau proves that all commonly held certitudes must be disproved at some point, because here’s a French comedy, albeit one that’s not all that preoccupied with sex, that is a hoot. Set entirely in the Parisian institution of the title , this frothy farce unfolds over the three hours before the opening night curtain goes up on a production of Macbeth, which is being directed by actor turned metteur en scène Nina (Pauline Clément). A series of catastrophes make i
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French farce set in the tumultuous three hours prior to the opening night performance of Macbeth features comic-timing perfection from cast One of Matt Groening’s Life In Hell comic strips from the 1980s, entitled How to Be a Clever Film Critic , sets out cinema’s greatest paradox: “The French are funny. Sex is funny. And comedies are funny. Yet no French sex comedies are funny.” Well, this film from Bertrand Usclat and Martin Darondeau proves that all commonly held certitudes must be disproved at some point, because here’s a French comedy, albeit one that’s not all that preoccupied with sex, that is a hoot. Set entirely in the Parisian institution of the title , this frothy farce unfolds over the three hours before the opening night curtain goes up on a production of Macbeth, which is being directed by actor turned metteur en scène Nina (Pauline Clément). A series of catastrophes make i
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According to The Guardian’s source item, Comédie Française review – pre-show bedlam plays theatrical chaos for laughs, French farce set in the tumultuous three hours prior to the opening night performance of Macbeth features comic-timing perfection from cast One of Matt Groening’s Life In Hell comic strips from the 1980s, entitled How to Be a Clever Film Critic , sets out cinema’s greatest paradox: “The French are funny. Sex is funny. And comedies are funny. Yet no French sex comedies are funny.” Well, this film from Bertrand Usclat and Martin Darondeau proves that all commonly held certitudes must be disproved at some point, because here’s a French comedy, albeit one that’s not all that preoccupied with sex, that is a hoot. Set entirely in the Parisian institution of the title , this frothy farce unfolds over the three hours before the opening night curtain goes up on a production of Macbeth, which is being directed by actor turned metteur en scène Nina (Pauline Clément). A series of catastrophes make i
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The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-10-05T12:00:25+00:00.
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Primary source: Comédie Française review – pre-show bedlam plays theatrical chaos for laughs via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Comédie Française review – pre-show bedlam plays theatrical chaos for laughsThe Guardian - 2026-10-05T12:00:25+00:00
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