Wire report
Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids
In 1985, four working-class characters are bonded for ever by a strange sighting in this sentimental saga that tracks their lives into adulthood Directed by Patrick Leung, this affecting saga from Hong Kong is a bit tricksy to get to grips with because it keeps hopping back and forth between an assortment of time frames. It tracks a set of characters as children in the mid-1980s, played by one group of young actors, and then later in the 1990s and early 00s when an adult cast takes over. But as it spirals in towards its surprising and dramatic conclusion, everything falls into place and the last 10 minutes is properly tear-jerking – even if it’s unabashedly sentimental, like a classic melodrama. The key incident foretold in the title happens around halfway through, although it’s no spoiler to know it’s coming. In 1985, a quartet of kids growing up on a working-class Hong Kong housing est
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In 1985, four working-class characters are bonded for ever by a strange sighting in this sentimental saga that tracks their lives into adulthood Directed by Patrick Leung, this affecting saga from Hong Kong is a bit tricksy to get to grips with because it keeps hopping back and forth between an assortment of time frames. It tracks a set of characters as children in the mid-1980s, played by one group of young actors, and then later in the 1990s and early 00s when an adult cast takes over. But as it spirals in towards its surprising and dramatic conclusion, everything falls into place and the last 10 minutes is properly tear-jerking – even if it’s unabashedly sentimental, like a classic melodrama. The key incident foretold in the title happens around halfway through, although it’s no spoiler to know it’s coming. In 1985, a quartet of kids growing up on a working-class Hong Kong housing est
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According to The Guardian’s linked item, Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids, In 1985, four working-class characters are bonded for ever by a strange sighting in this sentimental saga that tracks their lives into adulthood Directed by Patrick Leung, this affecting saga from Hong Kong is a bit tricksy to get to grips with because it keeps hopping back and forth between an assortment of time frames. It tracks a set of characters as children in the mid-1980s, played by one group of young actors, and then later in the 1990s and early 00s when an adult cast takes over. But as it spirals in towards its surprising and dramatic conclusion, everything falls into place and the last 10 minutes is properly tear-jerking – even if it’s unabashedly sentimental, like a classic melodrama. The key incident foretold in the title happens around halfway through, although it’s no spoiler to know it’s coming. In 1985, a quartet of kids growing up on a working-class Hong Kong housing est
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-12T08:00:18+00:00.
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Primary source: Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kidsThe Guardian - 2026-05-12T08:00:18+00:00
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