Wire report
Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soul
Italy’s south has long been either romanticised or patronised. A Palermo collective has dived into historic archives to recover surreal rhymes and surprising songs that defy the island’s picture-postcard image ‘What do I do now that I no longer have my mother?” Lero Lero sing on Com’haiu a Fari , the opening track of their self-titled debut album. “If I still had my mother, I would not love you.” What may sound like the kind of honest self-reckoning a modern songwriter has dragged out of therapy sessions is actually a traditional Sicilian folk text once sung by a washerwoman, reimagined here through three voices modelled on Sicilian Settimana Santa polyphonies. For this Palermo collective, maternal loss is also metaphor: symbolic of Sicily’s ruptured cultural inheritance, which they recover through archival labour songs, carters’ cries and lullabies, then reshape through electronics and
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Italy’s south has long been either romanticised or patronised. A Palermo collective has dived into historic archives to recover surreal rhymes and surprising songs that defy the island’s picture-postcard image ‘What do I do now that I no longer have my mother?” Lero Lero sing on Com’haiu a Fari , the opening track of their self-titled debut album. “If I still had my mother, I would not love you.” What may sound like the kind of honest self-reckoning a modern songwriter has dragged out of therapy sessions is actually a traditional Sicilian folk text once sung by a washerwoman, reimagined here through three voices modelled on Sicilian Settimana Santa polyphonies. For this Palermo collective, maternal loss is also metaphor: symbolic of Sicily’s ruptured cultural inheritance, which they recover through archival labour songs, carters’ cries and lullabies, then reshape through electronics and
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According to The Guardian’s linked item, Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soul, Italy’s south has long been either romanticised or patronised. A Palermo collective has dived into historic archives to recover surreal rhymes and surprising songs that defy the island’s picture-postcard image ‘What do I do now that I no longer have my mother?” Lero Lero sing on Com’haiu a Fari , the opening track of their self-titled debut album. “If I still had my mother, I would not love you.” What may sound like the kind of honest self-reckoning a modern songwriter has dragged out of therapy sessions is actually a traditional Sicilian folk text once sung by a washerwoman, reimagined here through three voices modelled on Sicilian Settimana Santa polyphonies. For this Palermo collective, maternal loss is also metaphor: symbolic of Sicily’s ruptured cultural inheritance, which they recover through archival labour songs, carters’ cries and lullabies, then reshape through electronics and
Context
The development sits in VINI’s Culture coverage for readers following arts, entertainment, fashion, film, music, celebrity, and the business of culture. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The linked item is dated 2026-05-19T04:00:01+00:00.
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Primary source: Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soul via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soulThe Guardian - 2026-05-19T04:00:01+00:00
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