Wire report
Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The Hangover
John Hannah parkours through gangland London in a hyperactive first-person action film that has to keep the heartrate down This ludicrous, rabid thriller, shot largely on first-person GoPros, is like Peep Show on PCP. The cumulative effect is of being crammed into a monster-truck tyre and rolled down Mount Everest. It is relentlessly committed to packing the frame with gratuitously entertaining gimmickry, and needlessly annotates the action in pink graffiti – for example, totting up at one point how many people the hero has knocked unconscious with a dildo – so that it borderline qualifies as experimental cinema. Among the many advantages of its perspective is that it helps us buy that John Hannah, 64, is a parkour genius. Hannah plays Karl Davis – or that is apparently his name, when this amnesiac wakes up to a Hangover-like bombsite of a hotel room. He’s got a banging headache, party d
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John Hannah parkours through gangland London in a hyperactive first-person action film that has to keep the heartrate down This ludicrous, rabid thriller, shot largely on first-person GoPros, is like Peep Show on PCP. The cumulative effect is of being crammed into a monster-truck tyre and rolled down Mount Everest. It is relentlessly committed to packing the frame with gratuitously entertaining gimmickry, and needlessly annotates the action in pink graffiti – for example, totting up at one point how many people the hero has knocked unconscious with a dildo – so that it borderline qualifies as experimental cinema. Among the many advantages of its perspective is that it helps us buy that John Hannah, 64, is a parkour genius. Hannah plays Karl Davis – or that is apparently his name, when this amnesiac wakes up to a Hangover-like bombsite of a hotel room. He’s got a banging headache, party d
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According to The Guardian’s source item, Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The Hangover, John Hannah parkours through gangland London in a hyperactive first-person action film that has to keep the heartrate down This ludicrous, rabid thriller, shot largely on first-person GoPros, is like Peep Show on PCP. The cumulative effect is of being crammed into a monster-truck tyre and rolled down Mount Everest. It is relentlessly committed to packing the frame with gratuitously entertaining gimmickry, and needlessly annotates the action in pink graffiti – for example, totting up at one point how many people the hero has knocked unconscious with a dildo – so that it borderline qualifies as experimental cinema. Among the many advantages of its perspective is that it helps us buy that John Hannah, 64, is a parkour genius. Hannah plays Karl Davis – or that is apparently his name, when this amnesiac wakes up to a Hangover-like bombsite of a hotel room. He’s got a banging headache, party d
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The development sits in VINI’s Technology file for readers following technology, science, product policy, markets, infrastructure, and the public consequences of innovation. The original report is linked so readers can check the source account, follow later updates, and compare new coverage against the first published record. The source item is dated 2026-10-26T11:00:41+00:00.
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Primary source: Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The Hangover via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The HangoverThe Guardian - 2026-10-26T11:00:41+00:00
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