Wire report
Aphrodite review – a trashy way to treat the goddess of love
Ashmolean museum, Oxford She’s the ultimate female nude, a Greek goddess who inspired centuries of artists. Yet despite some world-class loans, her story here is jumbled Botticelli’s Venus has parked her shell outside your house and come to pay a night-time visit. The glowing strands of her hair glitter against blackness as she looks past you at a mystery only she can see, while your eyes follow those river-like locks down to a hand that gathers a looping cascade between her thighs. She is, unmistakably, the goddess from Botticelli’s The Birth of Venus in the Uffizi, Florence. This very similar painting from about 1490, also by Botticelli and his workshop, suggests his Uffizi masterpiece was already such an icon that someone commissioned this version without the zephyrs and green sea, just that goddess body. So it goes. Venus, in art, is just a word for “female nude”. Botticelli started
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Ashmolean museum, Oxford She’s the ultimate female nude, a Greek goddess who inspired centuries of artists. Yet despite some world-class loans, her story here is jumbled Botticelli’s Venus has parked her shell outside your house and come to pay a night-time visit. The glowing strands of her hair glitter against blackness as she looks past you at a mystery only she can see, while your eyes follow those river-like locks down to a hand that gathers a looping cascade between her thighs. She is, unmistakably, the goddess from Botticelli’s The Birth of Venus in the Uffizi, Florence. This very similar painting from about 1490, also by Botticelli and his workshop, suggests his Uffizi masterpiece was already such an icon that someone commissioned this version without the zephyrs and green sea, just that goddess body. So it goes. Venus, in art, is just a word for “female nude”. Botticelli started
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According to The Guardian’s source item, Aphrodite review – a trashy way to treat the goddess of love, Ashmolean museum, Oxford She’s the ultimate female nude, a Greek goddess who inspired centuries of artists. Yet despite some world-class loans, her story here is jumbled Botticelli’s Venus has parked her shell outside your house and come to pay a night-time visit. The glowing strands of her hair glitter against blackness as she looks past you at a mystery only she can see, while your eyes follow those river-like locks down to a hand that gathers a looping cascade between her thighs. She is, unmistakably, the goddess from Botticelli’s The Birth of Venus in the Uffizi, Florence. This very similar painting from about 1490, also by Botticelli and his workshop, suggests his Uffizi masterpiece was already such an icon that someone commissioned this version without the zephyrs and green sea, just that goddess body. So it goes. Venus, in art, is just a word for “female nude”. Botticelli started
Context
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Primary source: Aphrodite review – a trashy way to treat the goddess of love via The Guardian. VINI cites and links the source; it does not reproduce the publisher’s full article text without rights clearance.
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- Aphrodite review – a trashy way to treat the goddess of loveThe Guardian - 2026-10-05T14:58:39+00:00
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